Tonight on Playboy Radio: Miami Spice II (1986)

Tonight on Playboy Radio Nightcalls with Debi Diamond and Nicki Hunter, we’ll be talking about Miami Spice 2, the follow up to the movie we discussed last week, Miami Spice 1.

I’m travelling today, so no extensive blog posting…. I’ll just quote Imperator’s review:

That’s how high-budget flicks looked like before the advent of the pretentious plague (ya know, Blake, Grant and his ilk :-)). Not that this means that these 1986 flicks are that great either. The are a must-rent since they are the last films by the great Svetlana (“800 Fantasy Lane”, “F”, “Bad Girls”, “Sex Boat”) but she’s certainly but a shadow of her former brilliant self. Still, we get a great cast: Starring in both flicks are Amber Lynn, Sheri St. Clair, Candy Evans, and Danielle. In Part 1 they are teamed with Barbara Dare (brunnette variant), Blondie (and Tony-fucking-Montana of course), Porsche Lynn, Jeanette Littledove (she of the zeppelin silly cones), Eric Edwards, Randy West, Robert Bullock. In Part 2 these people are replaced by John Leslie, Stacy Donovan and Jennifer Noxt. We also get a good editor, sound mixer, good camera work etc etc. These are the real benefits of high budget production, not the presence of a Countach or a couple of speed boats.

Part 1 is IMHO inferior to the sequel. There is this famous “underwater blowjob” scene with Sheri, Amber and (of course) a fella (Randy West), but it’s mostly a freak show and bored me to death. Though the sex ain’t half bad, resources are being blatantly wasted throughout. Part 2 has Stacey in it, which by definition (my definition at least :-)) makes it more interesting. She is shagged in several occassions and from several angles, most satisfying of which is, yet again, the ol’ spoons. There is a very nice 3some with Joey Silvera, Stacey and Sheri. No anal for Sheri (there’s a surprise) but quite a bit of RC. Another highlight is a mini orgy with John Leslie, the delightfully cute Candy Evans, Stacy, Jeniffer Noxt and Danielle. Very nice, if you ask me. Amber is a bit underutilized compared with Part 1 which is a waste,. as she is one hot lady. But one can’t have everything. At least we get a 4-guy-on-Danielle gangbang to conclude the film.

This ambitious effort manages to generate quite a bit of heat, particularly in Part 2. One can’t help to think however of what might have been had Candy been featured more prominently, had Sheri done her usual raunchy stuff, in general had all resources been utilized to their maximum potential and to the level one would expect from Svetlana. Still, both movies are worth the rental, and Part 2 is even a very marginal purchase. Ratings: 2.90 –3.20

We’ll be on around 7:45pm Eastern, as usual.

Tonight on Playboy Radio: Miami Spice (1986)

Tonight on Playboy Radio’s Night Calls (Sirius XM 102) we’ll be discussing Svetlana’s 1986 opus Miami Spice, starring Amber LynnDanielle and Sheri St. Clair.

We’ve talked about Svetlana before (previously, previously) so we know she’s known for shot-on-film, plot-driven movies with a generally decent budget and this is no exception.  Miami Vice, before it was a big-screen movie with Colin Farrell and Jamie Foxx, was a TV show in the mid-80s that served to re-define a large segment of pop culture.  White sports coats , docksiders with no socks and two-day stubble became the costume of a nation who was looking to series lead Don Johnson for fashion cues.

The movie opens with four drug dealers playing cards for coke (“I’ll raise you a gram….“) and they get busted by Sheri St. Clair who jumps into a red Lamborghini Countach with Amber Lynn behind the wheel and they take off through Miami for our credits sequence.  The soundtrack does a decent job of aping Jan Hammer’s synth heavy score for the series; but where the art direction of the series was all pastels, the palate here is much more conventional.

After the credits, we catch up with Amber briefed by her boss, Robert Bullock, who assigns her the task of bringing down one of the bigger drug dealers in Miami, and Amber  is happy to take the gig, on the condition that she gets to pick the girls that she works with.  Also in the office (pleased with Amber’s request) is Bullock’s secretary, Barbara Dare, who bears a very strong resemblance to Sheri St. Clair, almost to the point of distraction.  (What a sexy, smoky voice Amber has.  In fact, almost all the girls have smoky voices in this movie.  This is a movie with a lot of talking.)

Cut to Randy West in a jewelry store — with a giant porn stache! — looking at watches, and buying a very expensive one to impress (a stoned?) Danielle into having dinner with him that night.  It’s hard to get over how young everyone is.  Randy used to be a young stud (he wasn’t yet 30 when this was made) and not the old man we’ve come to know thru his Up and Cummers series…

The Countach follows his Lincoln Town Car home as he has dinner with Danielle.  There’s a lot of on location and public shooting, as we see the cars driving around.

At dinner, Danielle — a blonde, slightly hard looking gal — sensually narrates her eating a strawberry as Randy gets increasingly turned on.  He says he’d like to try that, but not with strawberries, but “Pussy.  I love nibbling on pussy!”  After that kind of dinner talk, how could any gal resist?  (Randy here almost seems like a Will Ferrell character, a more sexualized Ron Burgandy, perhaps.)

He pulls out his cock and introduces it as “It’s lean, it’s mean and a damned love machine!”  She reaches for it, but he recoils, saying she hasn’t shown him hers yet, so she pulls her panties aside and introduced her quim with “It’s cute, it’s pink and as cute as you think!”  As he eats her out, she lets loose a stream of dirty talk as she says what she wants him to do to her, and he says that all he seems to want is for her to “put it in her mouth” so she obliges, and she displays some MIGHTY FINE tongue action, while taking him in her mouth at points as well. My only complaint, if I had to have one, is that she doesn’t deep throat him… Randy’s not the largest cock in the business, and it just seems like it never occurred to her to put it all in her mouth, just three quarters.

They move to reverse cowgirl on the patio furniture, and we’re treated to a good mix of full body shots and loving pans down their writhing bodies while the synth music plays and they transition into doggie, as he uses her garter belt as reins.  The doggie is great as it is so slow — she slowly backs herself onto his cock, really taking her time, which plays really well, and she gets more eager as they get into it.  She drops to her knees and he drops a small load onto her tongue.  (Some things never change.)

Cut to Amber and Sheri on the stakeout (Sheri: “What are they doing in there?!?“) making bored small talk about Randy’s staying power.  Amber says “If they are having fun, I’m going to fuck this guy before the case is over.  The last guy came in his pants before I got his dick out.“)

Randy and Danielle leave the house, and he’s planning a pool party and needs her to get some drugs.  She’s happy to oblige — “How much?” she asks, “Two kilos?”  Randy almost has a heart attack at the quantity;  “If we’re going to party” she says, “then let’s party!”  Two kilos it is.

Amber and Sheri visit his house the next day and ring the bell.  When no one answers, they go around back to find Randy sunning himself by the pool.  Amber goes right in — “Would I like to put my lipstick on his dipstick!” and Sheri is not successful in holding her back.  She wakes Randy up by straddling him pantyless as Sheri puts a handcuff around his erect dick.  This, as you might imagine, freaks him out a bit, but the plays along as Amber gently strokes him and fellates him – y’know, in order to prevent him from becoming flaccid and slipping out of the cuffs — and he says he’ll help them sting the drug lord, but for a price — the day with Amber and Sheri.  Sheri gets offended and pushes him in the pool as Amber wastes no time slipping out of her dress and sitting naked on the diving board.  She opens her legs to a synth flourish and the porno music starts.

Amber looks awesome here.  She’s still all-natural — the surgeons haven’t gotten their hands on her yet — and tan all over as Randy swims over and starts eating her out.  Shei strips down to bra and panties and slides down the slide and swims over to Randy and Amber and starts making out with Randy.  She swims him around as Amber goes down the slide, and there’s a bit of underwater photography of everyone swimming around which culminates in the movie’s best known scene — the underwater blowjob.  The girls take turns blowing him as Randy holds himself up on the diving board.  Eventually, he turns himself around — feet on the side of the pool, still hanging on to the diving board — and the girls take over blowing him up in the open air.  Amber easily take his cock down to the root so he’s balls deep in her mouth, and Sheri (to my frustration) stays in her bra and panties.

Amber and Randy switch spots so he can return the favor, and Sheri gets in some licks on Amber’s nipples before Randy flips back around; but this time, Sheri comes up from underneath Randy to plant herself on his balls.  This is truly an awesome and novel position, which they stay in as Amber jerks him off on her face.  This is a better load than earlier, so it’s safe to assume they shot this during the day before the Danielle scene at night.

Cut to the cabin of a yacht where Danielle and her favorite drug lord, Eric Edwards, are talking, and she’s bragging that she’s made a sale for two kilos and he jealously asks her if she had to fuck the guy to make it.  She’s not sure she should tell him, but he insists, so she tells him about it as she makes little designs on his leg, which leads to her rubbing herself thru her pants as she tells Eric the steamy details of her and Randy’s dinner then fucking, and Eric starts rubbing his cock thru his pants as she tells the story, and she gets more and more worked up as more and more naked until finally Eric moves in for lunch and she chows down on the main course.

They fuck in doggie and missionary and he pulls out of her so she can jerk him off all over her bush and belly.  These are my favorite kinds of endings — totally organic, they’re fucking and then he cums, not a complete stop of the action to re-position for the cumshot…

Randy and Danielle drive by the yacht in a speed boat and Eric throws the package of coke down to them.  Suddently, we’re back in Randy’s house and Danielle introduces him to blonde Candie Evens and brunette Jeanette Littledove as two girls who will do anything for him.  There’s a lot of “what would you like us to do for you?” talk and Randy directs the girls.  (I am not sure if Jeanette was Amber’s sister-in-law at this point or not; Jeanette was involved for a long time with Amber’s brother, fellow performer Buck Adams)

Jeanette looks completely passive, just barely cracking a smile, while Candie is all giggles and enthusiasm.

Randy moves in to fuck Candie doggie style, and she’s still all bouncy and fun, but when he moves over to Jeanette, she really isn’t working it, she just takes it.  There’s an abrupt cut to Jeanette riding Randy pretty vigorously, but it’s the vigorous disconnected  action of a stripper giving just another lapdance.  Randy is trying to help things along with dirty talk, but it’s somewhat half-hearted.  Candie starts rubbing Randy’s thighs, but thinks better of getting her head down there, as Jeanette’s ass would undoubtedly crush her; but in a promising development, Randy falls out of her and Candie jerks him off on Jeanette’s ass and then cleans him off with some post-cum head. (Yay!)  So far, it’s the weakest scene due to Jeanette’s general disinterest, tho Candie does her best to save it.

The doorbell rings and Amber comes in, undercover in a super low-cut sweater and pink satin mini-skirt.  He shows her the coke and Amber pays for some as Danielle plays pool and notices the dealing.  She introduces herself, and Randy introduces Amber as “A doctor… a nose specialist.” Danielle seems taken by Amber and offers to take her to meet Eric on the yacht.  Cut to the marina where a lot of folks are milling about and the three girls (Danielle, Amber and now Sheri) get on the boat.  The boat leaves the dock, and Eric isn’t sure Danielle made the best play, but she assures him that the girls are loaded, and they go into the cabin to have some drinks.

Sheri is in a great looking mini skirt with a very tight top that shows off her great tits, and Amber is now in some knee high gold go-go boots.  They all sit around a little awkwardly drinking when Amber starts touching Sheri’s hand and Danielle takes that as a cue to turn on some music and show off her well-honed stripper moves as she gives Eric a blowjob.  Amber and Sheri pretend to look shocked, until Amber joins in, leaving Sheri on the couch pouting.  Why must they keep her sidelined?!

Amber really goes to town on Eric’s cock, taking him all the way down as Sheri defrosts a little and moves her hand down between her legs.  Finally her panties come off and she shows off her perfect little pussy (it really is delightful, you have to see it to believe it) as she watches Amber grind on Eric’s cock.  Finally, she can’t take it anymore and she goes over, pushes Amber off him with a playful “My turn!” and Danielle pulls Amber off to get herself eaten out while Sheri blows Eric.  There’s very little talking and very much synth music in this scene.

Eric lays Sheri down on the floor and has her legs pinned back as he just plows himself into her as she takes it all in.  It’s a pretty great angle, just watching his dick get swallowed by Sheri’s womanliness until he pulls out and strokes off onto her belly and shoulder.  She laps a little up.

Amber reports back to the boss and asks to borrow Barbara for the party that night… and we cut to the party where Randy is laying out the players and he works out a signal for them.  We see hot and buff  Tony Montana playing with a tray of coke as we pan around the party.  We also see Tony’s girlfriend, Blondi, playing in the pool.  Also among the party goers are Mike DeMarco and Porsche Lynn.

Suddenly, the pairings start to happen, and Tony and Blondi are going at it while Porsche and Mike are exploring each other as well.  We cut back and forth between the two pairings, with no live sound and overpowering synth music… but Porsche looks great as she swallows Mike’s dick, using her hand, and keeping her pinky up as they used to teach in charm school.  Porsche gets into Mike returning the favor, having her legs open as wide as possible and bucking her hips as he eats her, and then pinching his nipples as he fucks her.  We get some live sound, so we can hear her begging him to fuck her right before he pulls out and blows his load on her bush.

Then we cut to Tony and Barbi who are going at in a standing doggie, but she’s almost sidesaddle.  It’s their signature move — they do it in a lot of their movies — and it shows off her amazingly tight, lithe body as he nails her before blowing his load on her bush as well.

These two scenes were very short.

Cut to Eric and Randy making a deal, and Eric is curious why he has never met Randy in his travels, and Randy figures they must run in different circles.  Eric has the coke brought out with a line reading that will eventually enter society’s lexicon — but because an animated Comic Book Guy, not this movie —  “Best. Peruvian Flake. Ever.”

Eric asks Randy for the money, and he stalls, saying he left it in his wallet in the car — this guy must carry around $10,000 bills as walking around money — and Eric calls shenanigans just as Barbara and Amber bust in, ignoring Randy and going right to Eric.  In what might be the dumbest line ever, Randy whines “What took you so long?”  I guess Eric knows who the rat is…

Back in the boss’ office, he mentions (as if he’s half-asleep, wake up Robert!!) that he’ll have to tell the mayor about this case, and Amber slyly asks that he leave out some details.  He mentions not wanting to “blow their cover” and (you can see this coming, right?) Barbara coos that “I’d blow yours anytime, Captain.  In fact, Jennifer and I don’t have anything planned for tonight” and he offers to show them “the pistol that he has in his pants.”  And they violently go after his cock, to the point where it looks like it’s not attached to a person.  Then an abrupt cut to them fucking in a room with a giant mural of a moonscape (“They’re fucking on the moon!”) where Barbara is getting balled and Amber is adding oral support and after some brief missionary fucking (with Amber matching his thrusts from behind him) he pulls out and Amber jerks him off (a bit too violently, it seems) onto Barbara’s Bush.  (I couldn’t resist.)

THE END.

Yes, it’s as abrupt as that.

Final thoughts: it started out so strongly, and ended less strongly. On the plus sides, there are performers in this who are still working in modern times, and this is like looking at an old yearbook — everyone is trim and fit and young and hot looking (which is not to say they’re not these things now, but they’re less young than they were).  The hottest scenes were the ones where we could hear what’s going on, the ones where we couldn’t less so.  The scenes towards the end of the movie were rushed, almost like they were running out of film.

There is a Miami Spice 2, whichwe’ll talk about next time.

Tonight on Playboy Radio: Ginger Lynn: The Movie (1988)

Tonight on Playboy Radio’s Nightcalls with Debi Diamond and guest host Kelly Shibari, we’ll be chatting about the 1988 (compilation) flick, Ginger Lynn: The Movie.  Due to a some scheduling on my end, we’ll be on 45 minutes earlier, at 7:00 PM Eastern (4:00 PM Pacific) as opposed to our regular time.

Compilation flick?  Wha?

Paradise Visuals was one of the leading adult studios in the mid-80s and they had a three-picture “deal” with Traci Lords.  (She appeared in three shot-on-video movies for them, plus a comp (Girls of Paradise) and they used a g/g scene of hers in Whore of the Worlds as well.)

Traci was arguably the biggest star at the time, but running a close second, if not arguably first, was Ginger Lynn.  So Paradise scored quite a coup when they were able to cast both Traci and Ginger in the same movies.  Having both of the biggest stars in the world in the movie was pretty much a license to print money.

Once Traci’s scandal broke, all those movies needed to be pulled from the shelves, so in 1986, we lost those three movies and the awesome scenes that didn’t feature Ms. Lords… and Paradise lost a cash machine.

Fast forward a couple years, and the good folks over at PV say “Hey, you know… if we edit the movies so Traci’s not in them, we don’t have much… but we can take the leftovers that feature Ginger and make a new movie!”  And that they did.

They took scenes from Those Young Girls (1984)Night Of Loving Dangerously (1984) and Lust in the Fast Lane (1984) and edited them together to make Ginger Lynn; The Movie.

This movie is also notable for giving us access to two AWESOME Christy Canyon scenes from her debut, which we would have lost to the (under)ages had they not been repackaged here.

The first three scenes are from “Those Young Girls.”  That movie was written by Ginger, and based on her experiences breaking into porn.  It’s a jokey script — she meets with agent John Holmes who asks if she has a portfolio, and she says she got her (immunization) shots in high school — but personality (and Ginger’s undeniable cuteness) goes a long way…

Things get underway with Ginger naked on John’s desk, fellating a banana and saying “lunch is served.”  He then dives in and eats.  (Who wouldn’t?!?)  Ginger bucks her hips and grinds into his face before dropping to her knees.  Seeing Holmes’ manhood fall out of his pants as he pulls down his jeans is still something to behold.  She laughs, not quite sure what to do with the turgid meat, and he guides her head in to do the job.  His cock is floppy, as it often was by this point in his career, but she manages to coax half a stiffy out of him. He lays her on the desk and drops his cock into her mouth as he fingers her.  It’s a pretty hot position and it shows off her body pretty well until he strokes a nice load onto her face which she cleans up like a champ.  They cuddle bit and then Ginger finds her way onto a set.

The stills guy (nice socks!) gets her acclimated, she takes off her robe revealing a pretty conservative negligee (by today’s standards, anyway).  The camera cuts to her close up, and she looks flawless.  It is not hard to believe what a star she was back then… so the second scene is just Ginger posing around a bed.

We cut back to John Holmes making a deal for Ginger to appear in a music video, as he has her under contract.

The next scene is a rather silly music video, with Harry Reems (who had to have been 40+ at the time) in silly “punk” makeup, along with Ginger with a fauxhawk and yellow lace gloves.  There’s a driving synth tune on the sound track, jump cuts and video transitions that were all the rage back then.  Since they’re both naked, I’m not sure what the market for this video was supposed to be… you can FF through it without missing too much except some prolonged tongue kissing which is then unceremoneously cut away from for a dialogue scene where he explains that its a bad idea for them to get together.

Cut to his bedroom, they’re drinking wine and trying to come up with a name, and they settle on Ginger Lynn, and she plants a big one on his lips, and then after some faint protest, she’s blowing him and he’s eating her out.  She crawls off his face and slides him up in her for some reverse cowgirl.  RC is perhaps my favorite porn position, as it really shows off the girl’s physique, and let’s her control the sex.  Ginger gyrates her hips around on his cock which is a wonderful visual.  Harry then throws her on her back, and starts a vigorous pounding before cycling thru two quick positions – side saddle then doggie, where he pulls out and cums (in ridiculous slo-mo) on her ass, finally wrapping her in a giant hug which carries a startling amount of warmth in it…

So ends our journey with Those Young Girls, and we move into Night of Loving Dangerously, with a poorly grayed Peter North driving in a car while a voice over (not Peter) establishes him as a producer out to meet Ginger… so we’ve moved from a strict comp to the thinnest of a new story.  Let’s see how they do.

(In this review of NOLD, The Fool sums up the plot thusly: “It’s a murder mystery story, where Christy Canyon, who appears in more than just sex scenes, is “Louise Harrison”, daughter of Chairman of the Board, Jamie GillisPeter North is a former cop and former husband of Traci Lords, and his ex-wife Traci calls him to investigate a blackmail plot against Louise’s father, Jamie Gillis, whom Traci is about to marry…”  How this will fit into “Ginger is an up and coming adult film star” story remains to be seen… we return to our story…)

Peter enters a house and asks if nayone is home.  Ginger and Christy are home, having a little fun of their own.  A brief g/g scene ensues with a lot of kissing and some scissoring.  We cut to Peter standing in the doorway, clapping, asking if they know “any more good tricks.”

Another mystery voiceover tells us that Ginger’s career was really taking off, as evidenced by the doggie style fucking Tom Byron is giving her.  At this point, we’re in our third movie, Lust in the Fast Lane, where we’ll stay for the next few scenes.

So Tom and Ginger are fucking, and then Tom pulls out and splashes on her ass and without explanation, Ginger is now sucking another cock, this time belonging to while Marc Wallice is working a finger up her ass.

When we open a wide shot, we see the room is full of people fucking, that there’s at least four pairings going on — Eric Edwards and Beverly BlissCrystal Breeze with Tom Byron (cocksucking, titfucking); Sheri St. Clair with  and Ginger with Marc Wallice and David Sanders (They spend a bit of time FUCKING HER ARMPITS. Seeing her with two cockheads poking out of her arms is not all that erotic, really… but they get point for being novel…)

(The scene is a horrible mess of editing. They end with each of the four corners of the frame filled with a different cumshot.  They finally break out for Marc dumping a giant load on Ginger’s face, but the scene is shot so close-up, there’s very little impact.  A horribly missed opportunity.)

The orgy continues a bit more with Beverly BlissCrystal Breeze and Sheri St. Clair working on Tom Byron. Beverly gives Tom a pretty awesome handjob, while Sheri pleasures Crystal.  Sheri was one of my favorite mid-80s performers.  Tom eventually lays Beverly down for a little buggering before he fucks Sheri St. Clair and cums virtually in her, pulling out at the last moment…

And then, LATER THAT NIGHT…

… so we end our time with Lust in the Fast Lane, and we wrap up with two scenes from Night of Loving Dangerously.

As an aside, NoLD is widely considered to be Christy’s debut.  She made some loops beforehand and did the modelling, but this was the movie that put her on the map… and soured her on facials forever.

The first has Ginger sucking Jamie Gillis’ cock and then Christy comes in for some loving.  Jamie fucks Christy while Ginger helps pleasure her with her fingers.  Then it’s Ginger’s turn to climb on top and they make one of my favorite porn positions – the triangle.  Ginger rides Jamie’s cock; Christy rides Jamie’s face and the girls kiss.  This is WAY TOO SHORT-LIVED before Ginger and Christy are 69ing, and Jamie is fucking Christy doggie. Jamie flips Ginger over and fucks her butt for a spell, first side saddle, then reverse cowgirl.  Then, as the moment of climax nears, he pushes Ginger onto her stomach, pulls out and starts jerking off while Christy is hovering over the small of Ginger’s back shooting glances off-camera and flinching every time Ginger bucks her hips.  It’s a pretty natural reaction, far from the pro that Christy matured into. Finally he starts cumming and Christy’s brought into the line of fire.  It’s pretty obvious she’s not into it, but she’s being a spot, glancing off camera for what seems to be a combination of “Help?” and “I’m a team player!”  It’s a little unsettling knowing the story behind it, but before I knew the story it was hot.

We spoke about this incident on the show back in January while we were discussing Black Throat.  Christy was not expecting Jamie to pull out of Ginger and shove his cum at her face, but that’s what he did, and it ruined her off facials for most of her career.

“… and right after high school, and no one ever came in my mouth. So suddenly, there I am at 18 and 3 months old, and some guy — Jamie Gillis – pulls out of Ginger’s ass, open like  ‘Christy, open your mouth, open your mouth!’ and I open my mouth, not even knowing, really, what was happening, but it was kind of fun up until then… and then this whole load just shoots in my mouth, and I just remember it was bitter and it smelled like Clorox Bleach, it was wrong and nasty, and they’re like FILMING IT! all of a sudden, I thought I was going to throw up… the smell was 10 times worse than my spray tan the other day; the stench was like acid… but that one first mouth loud wasn’t very good at all, and it kind of turned me off.”

So there’s that.

Finally, the last scene of the movie is a classic.  Ginger approaches Peter, “Hello, Mr. Shannon.”  He replies, “Hello (audio muted)” (Her name was “Louise” in NoLD, but “Ginger” in our story here, so we’ll get around it by introducing an audio drop out.  In the filmmakers’ defense, they could have left “Louise” in, but they were trying to tell a new story clearly, so they didn’t want to confuse things.) She asks if he’s hungry and he says he can handle a “bite or two” — of her hair pie!

And they go to town on a poolside lounge chair.  He eats her for a little bit, then she returns the favor, really showing off her cocksucking talents.  Then — awkward! – Christy stumbles upon the scene, and to avoid anything weird, she jumps out of her dress and starts sucking his cock instead.  The two girls then spend some time sharing Peter’s peter orally until Peter pulls Christy up to him to make out a little and give her massive boobs a massage.  He then lies her on the chair and lays her while Ginger stand by waiting for their position to change to doggie, so she could make love to Christy’s chest as they sway to and fro.  Finally, Peterpulls out of Christy and Ginger jerks him off onto Christy’s ass, lapping up all of his baby batter (TM Rog).

The final title card:

THE END

but for Ginger, it was just the beginning…

Credit then to the editors, Charles Watkins, Abe Steinbeck and Victor Nichols.

A worthwhile movie to see some classic Ginger Lynn action.  Well worth checking out.

Ginger is selling an autographed copy of the VHS tape on her site…

 

 

Small glitch fixed…

A tip o’ the hat goes out to intrepid porn-hound Andrew who wrote in to tell us our “Sex Notes By Movie” advanced search wasn’t returning all the titles it should have.

We looked and, sure enough, Andrew was right.  I rewrote the query so it was right this time, and now there’s over 3300 titles listed that feature squirting, as opposed to the 2100+ we listed earlier.

Thanks, Andrew!

Tonight on Playboy Radio: Talk Dirty To Me (1979)

Tonight on Playboy Radio Nightcalls with Debi Diamond and  Nicki Hunter (Sirius XM 102, 7:45pm Eastern)  we’re going to be talking about Anthony Spinelli‘s 1979 classic, Talk Dirty to Me.

We’ve talked about Talk Dirty to Me 2, but not the original, so let’s have at it.

We first meet smooth-talker Jack (John Leslie) and his slow-witted sidekick Lenny (Richard Pacheco) at the beach as they watch hang gliders under the opening credits.  (Fun trivia, editor Tim McDonald  would later direct Talk Dirty to Me 2.) Jack and Lenny go get some coffee and Cracker Jacks from a truck run by Herbie (Anthony Spinelli) and Patty (Holly McCall).  Holly gets all up in Jack’s grill, asking him when they can get together again and he says she needs to exercise a little more.  Lenny chimes in and says that Jack promised that Lenny could fuck her, but that really sets her off and she pushes Lenny down a sand dune.  The overly protective side of Jack comes out, physically shoving Patty aside to get to Lenny’s aid.  He brings Lenny to a doctor.

Cut to the doctor’s office, and the doctor (Cris Cassidy) is filling out some paperwork. She explains that Lenny’s leg isn’t broken, just sprained.  Jack then gets right in with the dirty talk. “You’re a damned good looking woman, you know that? … I wouldn’t pay you shit, but I bet some heavy dude would pay big bucks to get into your pants.  Big bucks…”  He gets in close, smells her up … She retorts “I want you to know you’re not impressing me with your hot mouth!”  and so it goes — he asks to suck on her tits (she pulls her blouse shut) and he leans in, and she gets all upset and he really turns on the charm and whips his cock out right there.  “My cock wants you.  Look!  Give it a little touch.. please?” and she’s on the hook.  Jack tells her to get to his apartment after her last patient and he goes in the back to get Lenny.

Lenny is worried that the coffee-truck girl doesn’t like him, but Jack assures him she does.  The doctor returns and tells Jack she can’t make it later, and Jack tells Lenny to go wait in the car.  Lenny puts up a faint protest, and Jack ravages the doctor.  He pulls her hair out of its bun, and she drops to her knees and inhales his dick.  He leans her back on a couch and eats her out for a while (big bush alert!) before fucking her missionary.  He pulls out and cums on her face.

A quick note on the women, none of them are really HAWT by today’s standards, but that doesn’t make them any less sexually arousing.  They’re attractive, but not stunningly so.  They actually seem like women you’d see on the street.

We then meet Jesie St. James who is helping her husband, Frank (Aaron Stuart), pack for a business trip. She comes into the room in a thin nightgown, poses in the doorway and quotes “To Have and Have Not” (“put your lips together and blow…“)  She then tells him they have an hour to spare before his trip, and she wants some.  She tells him what to do, and he’s resistant with her choice of language.  “I love your breasts” he says.  “Can’t you say tits?  Call them tits!  Say you want to suck my tits!  Say you want to suck my pussy!  Goddamn it, Frank!  I want to hear it.  I need to hear it!” he says he loves her, but he just can’t do it.  So she blows him anyway.

A quick note on Frank.  Frank is not HAWT by any standard, but he is absolutely the correct look for the businessman husband who has fallen into a rut and would make his wife wander.  He’s physically fine, good cock, not fat, but he’s got a pronounced receding hairline…

Jesie looks older than she is – she was only 25 when she made this, but looks early 30s.   She’s got some serious tan lines, and really gets into the fucking.  Frank throws a vigorous hump into her, and she squeals and bucks around until he cums on her ass.

Back on the beach, Lenny is girl watching and hands Jack the binoculars and has him look at Jesie who is strolling down the beach.  Jack says he can “fuck her to death” in three days, and the game is afoot.

They boys follow her to a movie theatre, and Jack strikes up a conversation about classic 1941 movies.  She’s cool to his conversation; he complains about ticket prices ($5.00!) and gas ($2!) and parking ($5!) and she leaves.  The boys follow her home and they find the house next door is empty and up for sale, so they squat in it to stay close… and so they can spy on her prancing around her room in her bra and panties.

The next day, Jack shows up at her house, offering his handyman services.  She’s skeptical enough of the coincidence to give him a series of fake names (Mrs. Miniver, Mrs. Dietrich) and they discuss Casablanca, and he’s got himself a job cleaning the house.

Cut to Aunt Peg as a realtor and and Carl Regal as her client, and she tries to make the sale by licking her fingers, running them across his lips and then across her pussy lips.  The client freaks out and gets out of there.  Jack is watching from the second floor and tells her blew the sale, and she’s taken aback that he’s squatting.  He tells her to not cover up as he likes a nasty pussy.  She says she’ll call the cops, and he says if she does, he’ll “rape the shit out of her.”  He puts his hands on her shoulders and slowly pushes her to her knees.  He kneels too and gives her a kiss.  The opens her blouse and she’s ready to play. She tells him what to do, and they get right down to fucking on the landing. As Jack fucks her, we see Lenny watching from the second floor, and we’re not sure how he feels about it.  Aunt Peg tells Jack not to come inside her, as she wants to suck him to climax, and she goes absolutely crazy sucking his cock until he cums all over her tongue.  She laughs and grins through the whole thing, which might be the sexiest part.    She continues to flick the head of his cock with her tongue, causing Jack to fall apart in laughter.  Lenny looks forlorn and leaves.  She tells Jack that he needs to be out of the house by Friday.

Jack does some shirtless work in the yard which drives Jesie crazy.  They talk more about movies as she dips her legs in the pool, and after work, she gets him a beer.  He asks to use her phone — “Do you have a date?”  she asks “Something like that.” — and he calls Rose (Sharon Kane) and talks dirty to her on the phone as Jesie listens in on the extension. (Try doing that with a cel phone!)  Jesie ends up in the shower touching herself a little, thinking about what she overheard.

Lenny comes upstairs with Rose and Jill (Dorothy Lemay) who are looking for some fun.  Jill would really like to get it on with Jack, but Rose won’t let her.  When Lenny says they’re out of beer, he and Jack run off, leaving the girls to groom their pubic patches (seriously).

When Jack gets back, he brings Rose into Jesie’s house and they fuck doggie style outside her bedroom door as she sleeps.  Couple funny bits as Jack pulls Rose’s hair, she swats him away and as she’s cumming, Jack has her bite/suck on his finger to keep her from waking up Jesie.  It’s a pretty hot scene as they try to keep quite while fucking like bunnies.

Jesie’s sex dreams are driving her crazy and she fires Jack in the morning. He lays some more dirty talk on her and she asks him “Is that the only way you know how to talk?  Dirty?”  “To you,” he says with a devilish grin and she runs back into the house.

He follows her into her room, comes up behind her and says “You know, there’s 13 places a man should kiss?” and as he runs down the list, she melts like butter.

Meanwhile, Rose is with Lenny in some room decorated with Raggedy Ann dolls all over the walls.  She’s pissed that Jack is “probably getting laid right now… and he won’t even give me the signal!”  Lenny sticks up for his friend saying “igf Jack said he’ll give you a signal, he’ll give you a signal.”  “You really trust him?” she says. “You bet!”

Back in Jesie’s room, Jack strips naked and lies on the bed.  She asks “Will you speak dirty to me, like you did to that girl on the phone?” and she gets undressed.  She gets on the bed and starts wriggling like a spider dropped on a hot frying pan.  She asks Jack to do the things she asked Frank to do, and he complies.  He’s more than happy to eat her pussy, and tell her about it as he does it.

Back with Lenny and Rose, she notes that he’s been wearing the same shirt for two weeks and helps him out of it.  She asks him if he’s ever been kissed, and he says “A little bit” and then she asks “Would you like me to kiss you right now?” and he nods.  The sweet kiss is defanged by an odd intercut of Jack nose deep in pubic hair.

Then Rose tells Lenny how to eat her pussy and we get cross cutting between the two meals.

Jack crawls up her body and thrusts his cock in her mouth, “do you want me to fuck your mouth?  Say so!  Say it!”  “I want you to fuck my mouth!

In the other room, there’s no talking going on; ; just Rose gently working on Lenny’s cock.

Finally, both couples start fucking in missionary — Jack and Jesie loud and vocal, Lenny and Rose very quiet and tender until finally, Lenny cums inside Rose and Jack thrusts out and does the patented John Leslie No Hands Cumshot ™ on Jesie’s belly.

Lenny asks Rose if he made her happy, and when she says yes, he starts excitedly bouncing up and down on her like a little kid.

YogaGirl describes the last scenes as:

Jesie wakes up in a foul mood the next morning, but John seduces her via the “13 places a man should kiss when he makes love to a woman.” They tease each other with racy language and roughhouse passionately in her bed. John dives into the oral with boyish enthusiasm and then happily fucks her mouth when she requests it. John makes Jesie scream with pleasure by pumping her hard and fast in missionary. He slides his cock along the crease between her abdomen and thigh as he creams. This entire scene is intercut with footage of Richard losing his virginity to Sharon. Some viewers dislike intercut footage, but in this case, the contrast between John and Richard’s experiences is essential to the story. Sharon first coaxes Richard to explore her pussy with his tongue and then caresses his cock in her mouth. He enters her shyly in missionary, constantly kissing her while he finds his rhythm. There’s no cumshot, yet Richard’s orgasm is surprisingly convincing. The eroticism lies in their realistic facial expressions and his tender query, “Did that make you happy?”

Afterwards, Jack is dressed and says “Here’s looking at you, kid” while a ragtime variation of As Time Goes By plays on the soundtrack, and he’s gone, leaving her to ponder the events of the last three days.

And there you have it.  A classic from the word go, and deservedly so… tho I really wish Dorothy LeMay did more than walk around pantless and brush her pubic hair.

The movie is at a much slower pace than today’s porn.  I think it’s erotic as opposed to pornographic.  Scenes are shorter since it was expected you’d be watching in a theatre, and a 35 minute scene doesn’t play well in a theatrical setting.  (It plays great at home, because through the magic of the FF button, you can make it into a 10 minute scene.)

 Imperator makes an excellent point in his review of the movie:

And John Leslie is pretty damn effective. He’s so seductive he almost charmed the pants off me :-). Jessie is a damn fine actress too and perfectly manages the rather difficult task of showing the gradual yielding to his charms. Many on-screen seductions -and that holds for mainstream too- are botched by what I call the “activation energy effect”. The lady is stone cold, no matter what the fella does and then, all of a sudden, she just becomes putty. Bull, I say. Women are people (though IMHO a different species of the genus homo:-)), and people don’t behave like that. Read Christopher Hampton’s exquisite theatrical adaptation of Laclos’ “Les Liaisons Dangereuses” for a well-made seduction, and the pathetic melting of Turandot in Puccini’s otherwise brilliant opera to see how it should NOT be done. Da Ponte’s Don Giovanni lies somewhere in between I think.

[…]

The Imperial verdict. You saw it coming. Flawless. Riveting and erotic, Spinelli’s masterpiece can justly breathe along with its “Sex World” brethren that rarefied air of perfection.

CJ Lines sums up the movie thusly:

The film overall has it’s flaws, no doubt, and the plot falls apart a little in the last few minutes, but it’s got a wonderful Summery vibe, some smooth, laid-back humour, excellent acting, hot sex and a sense of real enjoyment flowing through it, all of which helps elevate it to the status of a genuine XXX legend.

And be on the look out for John Leslie’s Jimmy Stewart impression… pretty great stuff!

Here’s the opening credit sequence with the hang-gliders.  According to the YouTube description: “An adult film company came to Fort Funston in 1980 to shoot their opening sequence. They filmed Dan Racanelli and Tom Low flying state-of-the-art gliders. Unfortunately, neither of the pilots were asked for further involvement in the film. ;-)”