Today on Spice Radio: I Like to Watch (1982)

So, today (27 June 2012) kicks off our new classic movie review segment on YouPorn on Spice Radio, SiriusXM 103.  We’re scheduled to go on at 11:40 AM Pacific / 2:40 PM Eastern with Christy Canyon and Ginger Lynn. To kick things off, I figured we’d talk about I Like To Watch, Paul G. Vatelli‘s 1982 classic, since, well… we like to watch.

The plot of the movie is centered around a famous lingerie designer, Leticia, played by Pat Manning.  She’s getting ready for a fashion show, to be headlined by Linda (Lisa De Leeuw), a  famous model.  Helping Leticia her get ready are niece Laura (Bridgette Monet, in her debut) and her assistant Kim (Little Oral Annie). Along the way, we meet a bunch of models, Laura’s boyfriend Michael (Mike Horner, credited here as Don Hart) and some comic relief by way of the staff.

The movie opens with Laura peeping in as her Aunt Leticia is getting nailed by boytoy Phillip (Hershel Savage).  It’s a pretty standard “fucking on bed” scene, but has some nice reverse cowgirl in it and ends with a pretty good pop shot as Leticia jerks Phillip off so he explodes onto her face and hair. This leaves Laura pretty turned on with nothing to do about it.

Some plot happens as we get properly introduced to Laura, the housekeeper Gretchen (Anna Pierce), Kim and Linda.  As Laura is doing a fitting for Linda, she comments that the lace is a bit conflicted with the rest of her underthings, so Linda suggests she just drop the panties right there, laying the groundwork for some future fun…

But first, Kim has to help Mark, the plumber (Kevin James), fix the furnace… so off they go to the boiler room and then to a bypass valve in one of the fitting rooms where Kim jumps all over the Plumber, swallowing his cock with ease.  This is one of my favorite Little Oral Annie scenes, as she looks fantastic — there’s something about the bra she wears here that really shows off her swinging boobs and gives them a little shape — and she really gets to show off her sword swallowing.  There’s a shot from underneath of her taking Kevin’s James down to the root and pulling back, leaving strings of spit like spaghetti, which she then sucks back in — just awesome.

Gretchen, the housekeeper, was dispatched by Leticia to find Kim since they need to stay productive as deadlines are looming, and she spies Kim swallowing Mark , which turns her on greatly, so she takes a brief siesta and touches herself (over her clothes) while the two go at it.

Since Annie was also a bit of an analist, we have to cover that base, so she looks over at Mark and matter of factly says “I want you to fuck my ass now” and then they go at it, with some nice shots of him getting balls deep in her ass; this all finishes with a blowjob ending, with Kim jerking Mark off into her mouth… and Gretchen making a noise, revealing herself outside the door (which is one of the great “D’oh! We’re caught!” moments in porn, with Annie stopping mid-jerk to see who’s there…)

Laura and her boyfriend, Michael, head out to the park for a heart-to-heart — “Why aren’t you fucking me, Michael?” she asks, and he says he’s been trying to be a gentleman about things.  He offers to pick her up at 8 and she storms off with a “Not tonight!”  Leticia checks on her niece who doesn’t really want to talk about it.

Kim is reading a book as Gretchen is tending to the fire.  Kim calls Gretchen on her peeping, saying she’s not angry, that “it can be better with a woman” and she leans in for a kiss.

Meanwhile in the other room, Laura grabs the panties that Linda dropped during her fitting and holds them to her face and inhales deeply.  She rubs them all over herself.  She pulls a breast out of her dress and plays with her nipple.  Bridgette has REALLY GREAT TITS. She fantasizes about her Aunt’s tryst with Herschel Savage as she hikes her skirt up and starts to rub the panties on her lady bits… and then her phone rings.  It’s Linda, calling to see if Laura wants to come over for drinks.

Pan over as she hangs up to reveal Montag (Dave Cannon — Bridgette’s real life SO) sitting in a robe.  Linda leans down to him and teases “We’re going to give you such a show…”

On her way out, Laura sees Kim and Gretchen getting it on in front of the roaring fire.  (And they say porn is cliche’d!)  Kim sucks on Gretchen’s nipples a bit (nice!) before moving down for some rug munching.  Gretchen seems to be enjoying herself, cupping her ample breasts while Kim dines out.  Next, she’s being taken doggie style by Kim who is wearing a strap-on.  The scene kind of ends as Laura heads over to Linda’s; but not before getting stopped by Michael who vows to “wait here all night for you!” as she blows by him.

There’s a fireplace at Linda’s too, and Linda puts Laura in front of it.  They have a drink and Linda puts the moves on her, leaning in for a kiss that Laura doesn’t fight. The two girls kiss and as the camera moves in, we dissolve to them in their lingerie, kissing and falling back on the couch.  We see a camera mounted overhead, and Montag is watching the sapphic loving on a TV.  Linda pulls Laura’s panties off to the side and starts eating her out and Montag sits and smokes.  Laura flips Linda over and returns the muff diving favor, bringing Linda to orgasm as she grinds Laura’s face into her pelvis, and then pulls her up for a kiss.  Linda asks if is Laura trusts her and reveals that they’ve been watched the whole time and Linda brings Montag down to have his way with Laura as she looks on.

He starts by kissing her and them moving down to eat her out as Linda narrates a bit.  Bridgette is in the same type of bra that Annie was in when she was fucking Kevin — it’s a satiny sheer number and really looks nice.  Linda and Laura exchange looks with Bridgette looking right into the camera.

FILM GEEK ASIDE: I can’t help but think Vatelli tipped his hat to Bergman in one shot of Lisa De Leeuw, which had to be an homage to Liv Ullman in Persona.

He spends some time kissing on her breasts and nipples and then he brings himself forward to drop his cock in her mouth.  Linda keeps playing with herself and watching.  There’s some good high camera angles over Bridgette/Dave as she sucks him to full erectness and whispers “Make love to me, Montag!”  He kisses her as he slips his cock inside her side-saddle, which just intensifies Linda’s enjoyment of the coupling.  He swings into missionary, and there’s a lot of kissing going on as he’s pumping away.  As Linda brings herself to another shuddering orgasm, Laura jerks Montag off onto her belly.  “See, Montag? I like to watch, too!” Linda pants out between orgasmic spasms.

Michael sees two models, Cinnamon (Linda Shaw) and Honey (Elaine DeSantis) approach Leticia’s house.  Ever the gentleman, he rings the door bell and Gretchen comes to let them in.  Michael makes the introductions and Gretchen shows the girls to their room as he waits for Laura to come back.  The girls hatch a plot to get lucky and make some noise to draw Michael down a dark hallway and into an area filled with mannequins.  The girls pose as mannequins and them jump out and grab his junk, he complains it’s not his day and suddenly Cinnamon is sucking him off as Honey is french kissing him.  They swap spots as Michael  makes out with Cinnamon’s tits as Honey sucks him off. The mannequins like to watch too.

Honey moves into a 69 position as Cinnamon joins her down at Michael’s dick and they suck him and make out with one another as he buries his tongue all up in Honey’s honeypot.  Cinnamon mounts him and Honey sucks her tits as she’s riding Michael’s face. Leticia comes home, sees them fucking and goes upstairs to bed.  Now Honey’s getting it doggie style as Cinnamon lays (lies?) under her; and then they both suck him off and he baptizes them in a fountain of cum.

Next up: A MONTAGE!  Sewing machines working overtime getting ready for the big runway show; mannequins being fitted with lingerie, and then we’re at a TV studio, getting ready for the show.  A house mother (Beatrice Bowan) yells at a model named Gloria (Mary Evans) for not wanting to wear her assigned lingerie.

Two stagehands, mustachio’d Fred (John Ogden) and balding Harry (Lou Vincent) peep into the girls’ dressing room.  Fred is drooling over the girls: “I’d walk through five miles of a minefield in snowshoes just to hear her fart over a field phone.” (Really has to be heard to be believed) and Harry bets him $50 he won’t just walk in there.  The janitor (Dirty Ed Lachmann) drops off a laundry cart that Fred jumps into and then pops out of to bite Gloria on the butt.

Back in the control room, Michael bursts in and demands that Laura see him after the show in the studio.  She seems taken aback by his forcefulness and agrees.  Leticia makes another date with Phil and he wants to take it onto the next level.

Once the show is over, Laura finds her way into the empty studio and Michael bosses her around, making her sit on a couch. He’s pissed that she’s made him feel like a fool and he’s not going to stand for it anymore, especially if she’s going to stay out all night.  She’s about to confess to her threeway, thinks better of it, and then asks him simply to make love to her, right there on the couch.  She opens her dress, lets down her hair and they go at it.

On a meta-level, this scene is most notable because its one of only a few times in her career that Bridgette Monet had sex with someone other than her husband.  This is one of the longer scenes in the movie.  Michael eats her out for a bit, then she sucks him to hardness and sits reverse cowgirl on his rod.  They grind a bit as he kneds her breasts and then they move onto side side as she lies own the couch, with her eyes closed.

In this scene, in the empty studio, there is no one there to watch — just us.  But she opens her eyes for a moment, and, like the other characters before her, sees who has been watching her — she looks directly through the camera out to us, the only ones left who are watching.

They wrap up fucking doggie style and she sucks him off, jerking his load out explosively onto her shoulder and arm (stupid gravity) and she orally cleans him up afterwards.  (There is a briefest of moments when the jizz on her shoulder catches a light and it makes the most fantastic starburst…)

They share a post-coital snuggle where she tells him it was wonderful and he laughs that he’s a pretty good lay… ROUND TWO? he asks as we fade to the closing credits.

There’s not a bad sex scene in the bunch here.  The movie manages to fit in seven scenes into its 77 minute running time along with the thinnest of plots (getting ready for a fashion show, lovers not having sex, voyeurism) and some laughs as well.  (That picture of John Ogden alone makes me smile.)  If the concept of people watching other people fuck gets you off, you won’t find a better movie covering that interest, and the girls in it are all natural and all hot.  Really great stuff.

Imperator said this about it:

 This is an 1982 Swedish Erotica release that is very notable for containing one of those rare scenes between the gorgeous Bridgette Monet and someone other than Dave Cannon. The lucky stiff in this case is Mike Horner. Dave does get his chance with wifey in another scene that immediately follows a very nice Monet-Lisa De Leeuw (this name will kill me! :-)) girl-girl. Other than that, the film is a typical Swedish Erotica thingy, with lots and lots of screwing with little plot aspirations. This doesn’t mean “I like to watch” is a bad film. I sure like to watch Ms. Monet in every opportunity and this film also features the lovely Little Oral Annie displaying her trademark accomplishment as well as her willingness to do anal. If only she had picked a less silly nom de porn :-). Rating: 3.10. A must for big boobs fans (Monet, DeLeeuw and L.O.A. are all very well endowed as everybody knows)

I’d probably rank it higher, a 3.60 or so on the Imperial Scale.  It’s a keeper.

The Imperial Scale: 0 to 4, with a precision of 0.05:

  •  Anything below 2 rent at your own risk, ‘cos it sucks
  • Between 2 and 2.50, rent only if you are an ardent fan of the particular star/genre featured
  • 2.50 to 3.35 are all good to great rentals
  • 3.35 to 3.50 are good for purchasing if you can spare the bucks
  • Anything higher than 3.50 is a keeper
  • 4.00 is impossible for anything later than 1984 :-)

Related

 

Tonight on Playboy Radio: Talk Dirty to Me 2

I was a bit better prepared for Night Calls tonight.

After asking Debi how her ass was (the previous segment had her getting pinched by clothespins) we went into talking about Talk Dirty To Me 2.

This Tim McDonald film from 1982 is notable for being only marginally related to Anthony Spinelli‘s original Talk Dirty To Me.  Turns out there were rights issues, so Spinelli’s sequel is called Nothing To Hide and the producer’s sequel is Talk Dirty To Me 2.

This installment follows Jack (John Leslie) and Lenny (here played by Blair Harris) as they manage their local watering hole while the owner/barkeep goes away.  The barkeep has one of the great opening lines “Well, well.  Look who’s here… the ass bandit himself.”  (Note to self: check if assbandit is available as a vanity license plate)

In one of the few nods to the original, Jack calls the real estate lady (played by Aunt Peg in the original) looking for a new sublet, but he runs into (and ends up banging) her daughter, played by Nicole Black (a dead ringer for a 1970s Sarah Silverman).  They have a great scene, made greater by this little bit of action, described here by Brad in an old review from alt.sex.movies:

Nichole “seduces” Leslie and gives him a nice BJ. But the impressive part was while naked, sitting in a chair, legs parted and bent back with her feet about shoulder-height (sorry, trying this from memory and I can’t seem to find the right words), Leslie sits on the floor in front of her and proceeds to give her head; she *really* comes at least 3 times (body shuddering each time) and, on the 3rd time, manages to tilt her pelvis even further back, enlarging/stretching her vaginia even more open for Leslie to get at; it was impressive (and not an acrobatic-type move that I’ve seen since)!!

After their tryst, they sit on the couch eating crackers out of the box and watching uptight TV sex therapist Dr. Anne Childs (played by Bridgette Monet, but voiced by someone else entirely — her whole part was dubbed) and Leslie gets his idea for his next score.  He and Lenny crash her TV show and he spouts enough dirty talk before getting thrown out to get under her skin in a big way.

The scene in the studio really shows off the commitment to these movies, there’s a full studio audience of 20-25 people from all walks of life — not the crowd of tattoo’d twentysomethings that pass for a crowd of extras these days…

Bridgette fucks real-life hubby Dave Cannon (playing her show’s producer) but she’s pre-occupied with many other things other than his lovin’ as she’s on the phone during a chunk of their encounter… tho she does allow a generous bit of tit-fucking, ending with a pearl necklace.

There’s a few more scenes in there, but the one that stuck out for me as I was reviewing this movie today is Scene 6 (about 53 minutes into the film) between the bartender (anyone know her name?!?) and John Leslie.  It starts out with them fucking but he stops and just talks dirty as he fucks her mouth / jerks off around her neck somewhere.  Bridgette stumbles upon them and watches, getting increasingly turned on; but the thing that seems to push her over the edge is the way the bartender GRABS THE SIDE OF THE TABLE IN ECSTASY.  It’s amazing how long McDonald holds the shot of her tensed hand and intercuts with with Monet’s wanting face — it’s an scorching hot scene that ends in an off-camera pop shot.

 

The final pairing between Monet and Leslie is also pretty good, if for nothing else, the way it’s set up.  Jack knows he’s got her where he wants her, so he camps out in her bedroom waiting for her to come home (breaking and entering was never so sexy!) and he sits on the bed playing harmonica and grinning like the cat who gets to fuck the canary.

BONUS: Paul Thomas is a piano player at the bar singing “The Greatest Love of All” (later made famous by Whitney Houston) at about 73 minutes in.

We also spoke of John Leslie’s overall awesomeness and his ability to pop without even touching himself — he can fuck a girl, pull his cock out of her and just cum on her box unassisted.  Really impressive; especially considering we’re impressed in these modern times if the girl can jack the guy off to pop.

Imperator really summed up Leslie’s appeal in his 1995-6 review of Talk Dirty to Me:

In my book, a great male lead must have charm. There is nothing more annoying than seeing all those pretty ladies of porn pretending to swoon before Wayne Summers’, Tony Montana’s or -of course- Ron Jeremy’s “glory”. A -female- friend, annoyed at the large percentage of unappealing males in the biz, has hypothesized that this is being done on purpose, so that the viewer does not feel antagonized by an overly handsome actor. I don’t know whether this is true; personally, I resent the “long-haired rocker dude” type and the “sweaty, creepy Ron-like” one equally. Give me John Leslie or R.Bolla any day; these guys have personality.

Last thing that TDTM2 had — a theme song!

http://www.youtube.com/watch?v=AsW24GMN6Uc

Until next week, where we’ll talk some more about Little Oral Annie.

Tonight on Playboy Radio: Bridgette Monet

I was a bit haphazard in today’s segment.  It must have been the move from 5:40pm  to 4:40pm Pacific time…

My plan was to talk about Bridgette Monet specifically her roles in Talk Dirty to Me 2 (1982) and I Like To Watch (1982); but we all but ignored the former and we briefly touched upon the latter, notably the brilliant scene Little Oral Annie had with Kevin James.

We spoke a little bit more about Little Oral Annie (who came to my attention via her column in Cheri magazine) and her claim that she could unhook her jaw like a snake in order to deep throat such legendary cocks like John Holmes and Ron Jeremy and Tom Byron.

We mentioned Bridgette’s long string of AKAs and her penchant for working with her husband, Dave Cannon, and her occasional foray outside the marriage.

I talked a little about the unscrupulous practice of releasing the same movie on DVD under different titles, i.e. I Like To Watch (2010) is merely a rebranded Look Who’s Watching (2007).

And I coined the phrase “grinder” for an 8mm porno loop when (in retrospect) I meant “smoker”.  Smooth.

If there’s a subject you’d like us to cover, just leave it in the comments, or mail it over to us at [email protected].