Tonight on Playboy Radio: High School Memories

Tonight we spoke about Anthony Spinelli’s 1980 classic High School Memories.

I first saw this movie when I was in high school, and it quickly became one of my favorites; and re-watching it, 25 years later, it remains one of my favorites, but perhaps for different reasons.

Back then, it was due to the subject matter – the jocks on the bus banging all the cheerleaders; staying at a hotel in an away game and raising hell…  That’s every HS kid’s fantasy, right?

Now, tho, I like it both for the nostalgia that accompanies the watching of a favorite movie, but also for the perspective that being 42 brings to the movie, as opposed to 17.  The movie is framed by Annette Haven, in town for a reunion, telling Chris Hopkins (aka Diana Holt in what’s arguably her first role)  stories over drinks about high school… but Annette wasn’t a student there, rather, she was the faculty head of the cheerleaders.  She and  Coach Salinas (expertly played by Jamie Gillis) both banged students during one of the road trips which led to both of them losing their jobs.

Of course, Salinas shows up at the bar, and seems to be a changed man.

Salinas became a punchline among my friends back then — we’d often joke about his mannerisms, how he’d mutter dirty things under his breath (“how you would you like a fucking hard dick in your cunt?“) — and they’re just as amusing to me now (your mileage may vary).  (Looking at it now, the muttering actually seemed to be done in post-production, as the audio seems almost all dubbed.)

Annette’s scene with Steve Parks when she plays teacher (“I adore letter men; espcially 17 year old letter men.“) is so amazingly slow and seductive — “I don’t know what to do,” he says, and she stands, walks to the side of the bed, and reveals herself in a leotard and then shows him exactly what to do.  The music is soft and romantic, and they take their time, lots of kissing, and as he works his way down her body, she musses his hair and then just leans back, runs her fingers through her own hair, and just enjoys it as she lets him go to work…

But the increasing melancholy over how things turned out and what might have been are palpable — Annette really sells it in some of the bar scenes, so when (spoiler alert!) Annette and Jamie finally hook up at the end, there actually is some emotional pay-off.

Dorothy LeMay and Jamie Gillis

Other notable highlights –

  • John Leslie and Dorothy LeMay setting a very high bar in a very brief suck and fuck which ends with a hands free cumshot after LeMay drops his cock out of her mouth
  • Jamie Gillis‘ spasm after Chris Hopkins finishes blowing him
  • Jamie Gillis‘ Groucho Marx routine — while wearing a bathrobe that says “Head Coach” — before he bangs Dorothy LeMay — “Ms. Adams – when we’re travelling, you’re fucking somebody all the time.  Have you noticed? If it’s not Nunzio, it’s Jack; if it’s not Jack, it’s Al; if it’s not Al, it’s Nunzio.  So why don’t you fuck me, Ms. Adams?” to which she replies in my buddies’ oft-quoted way, “Coach Salinas!” and then as they finish up “Don’t you want to come on my face?” “What do you think I am? A fucking animal?” as he pulls out and cums on her panties.
  • The way Jamie pulls his cock away from Annette as she’s blowing him because he just can’t wait to fuck her… and the way she comfortably giggles after they climax.

 

Tonight on Playboy Radio: Little Oral Annie

Little Oral Annie has crept into the last two segments, so we’re going to spotlight her in an effort to get past her so we can talk about other things. :-)

She first came onto my radar in I Like To Watch, which was one of the first pornos I ever saw.  From there, I would go to the local Ramada Inn and they had a vending machine which sold Cheri magazines (among others) so I’d sneak in, buy the mag, and go home and, er, read it.  In it was a monthly column written (?) by Annie giving advice on how to give good head and what her secrets were — she claimed she could unhinge her jaw like a snake which allowed her to swallow the likes of John Holmes; she suggested having your cocksucker wrap her lips around her teeth to avoid painful biting or scraping…

Notable appearances (in no particular order):

We spoke a little bit about Blake “The Wedge” Palmer, whose cock is shaped like a triangle… which — according to Debi who knows first hand —  is good since when you’re taking him up the ass, after half his cock is in, it looks like you’ve got a telephone pole up there when you’re only dealing with the skinny part of the triangle. :-)

As always, we ran out of time — something I have to work on, I suppose — so we didn’t segue what we’re going to talk about next time; but I think it’ll probably be about high school…

As always, your comments or ideas for future segments is appreciated and encouraged!

 

 

 

Tonight on Playboy Radio: Talk Dirty to Me 2

I was a bit better prepared for Night Calls tonight.

After asking Debi how her ass was (the previous segment had her getting pinched by clothespins) we went into talking about Talk Dirty To Me 2.

This Tim McDonald film from 1982 is notable for being only marginally related to Anthony Spinelli‘s original Talk Dirty To Me.  Turns out there were rights issues, so Spinelli’s sequel is called Nothing To Hide and the producer’s sequel is Talk Dirty To Me 2.

This installment follows Jack (John Leslie) and Lenny (here played by Blair Harris) as they manage their local watering hole while the owner/barkeep goes away.  The barkeep has one of the great opening lines “Well, well.  Look who’s here… the ass bandit himself.”  (Note to self: check if assbandit is available as a vanity license plate)

In one of the few nods to the original, Jack calls the real estate lady (played by Aunt Peg in the original) looking for a new sublet, but he runs into (and ends up banging) her daughter, played by Nicole Black (a dead ringer for a 1970s Sarah Silverman).  They have a great scene, made greater by this little bit of action, described here by Brad in an old review from alt.sex.movies:

Nichole “seduces” Leslie and gives him a nice BJ. But the impressive part was while naked, sitting in a chair, legs parted and bent back with her feet about shoulder-height (sorry, trying this from memory and I can’t seem to find the right words), Leslie sits on the floor in front of her and proceeds to give her head; she *really* comes at least 3 times (body shuddering each time) and, on the 3rd time, manages to tilt her pelvis even further back, enlarging/stretching her vaginia even more open for Leslie to get at; it was impressive (and not an acrobatic-type move that I’ve seen since)!!

After their tryst, they sit on the couch eating crackers out of the box and watching uptight TV sex therapist Dr. Anne Childs (played by Bridgette Monet, but voiced by someone else entirely — her whole part was dubbed) and Leslie gets his idea for his next score.  He and Lenny crash her TV show and he spouts enough dirty talk before getting thrown out to get under her skin in a big way.

The scene in the studio really shows off the commitment to these movies, there’s a full studio audience of 20-25 people from all walks of life — not the crowd of tattoo’d twentysomethings that pass for a crowd of extras these days…

Bridgette fucks real-life hubby Dave Cannon (playing her show’s producer) but she’s pre-occupied with many other things other than his lovin’ as she’s on the phone during a chunk of their encounter… tho she does allow a generous bit of tit-fucking, ending with a pearl necklace.

There’s a few more scenes in there, but the one that stuck out for me as I was reviewing this movie today is Scene 6 (about 53 minutes into the film) between the bartender (anyone know her name?!?) and John Leslie.  It starts out with them fucking but he stops and just talks dirty as he fucks her mouth / jerks off around her neck somewhere.  Bridgette stumbles upon them and watches, getting increasingly turned on; but the thing that seems to push her over the edge is the way the bartender GRABS THE SIDE OF THE TABLE IN ECSTASY.  It’s amazing how long McDonald holds the shot of her tensed hand and intercuts with with Monet’s wanting face — it’s an scorching hot scene that ends in an off-camera pop shot.

 

The final pairing between Monet and Leslie is also pretty good, if for nothing else, the way it’s set up.  Jack knows he’s got her where he wants her, so he camps out in her bedroom waiting for her to come home (breaking and entering was never so sexy!) and he sits on the bed playing harmonica and grinning like the cat who gets to fuck the canary.

BONUS: Paul Thomas is a piano player at the bar singing “The Greatest Love of All” (later made famous by Whitney Houston) at about 73 minutes in.

We also spoke of John Leslie’s overall awesomeness and his ability to pop without even touching himself — he can fuck a girl, pull his cock out of her and just cum on her box unassisted.  Really impressive; especially considering we’re impressed in these modern times if the girl can jack the guy off to pop.

Imperator really summed up Leslie’s appeal in his 1995-6 review of Talk Dirty to Me:

In my book, a great male lead must have charm. There is nothing more annoying than seeing all those pretty ladies of porn pretending to swoon before Wayne Summers’, Tony Montana’s or -of course- Ron Jeremy’s “glory”. A -female- friend, annoyed at the large percentage of unappealing males in the biz, has hypothesized that this is being done on purpose, so that the viewer does not feel antagonized by an overly handsome actor. I don’t know whether this is true; personally, I resent the “long-haired rocker dude” type and the “sweaty, creepy Ron-like” one equally. Give me John Leslie or R.Bolla any day; these guys have personality.

Last thing that TDTM2 had — a theme song!

http://www.youtube.com/watch?v=AsW24GMN6Uc

Until next week, where we’ll talk some more about Little Oral Annie.

Tonight on Playboy Radio: Bridgette Monet

I was a bit haphazard in today’s segment.  It must have been the move from 5:40pm  to 4:40pm Pacific time…

My plan was to talk about Bridgette Monet specifically her roles in Talk Dirty to Me 2 (1982) and I Like To Watch (1982); but we all but ignored the former and we briefly touched upon the latter, notably the brilliant scene Little Oral Annie had with Kevin James.

We spoke a little bit more about Little Oral Annie (who came to my attention via her column in Cheri magazine) and her claim that she could unhook her jaw like a snake in order to deep throat such legendary cocks like John Holmes and Ron Jeremy and Tom Byron.

We mentioned Bridgette’s long string of AKAs and her penchant for working with her husband, Dave Cannon, and her occasional foray outside the marriage.

I talked a little about the unscrupulous practice of releasing the same movie on DVD under different titles, i.e. I Like To Watch (2010) is merely a rebranded Look Who’s Watching (2007).

And I coined the phrase “grinder” for an 8mm porno loop when (in retrospect) I meant “smoker”.  Smooth.

If there’s a subject you’d like us to cover, just leave it in the comments, or mail it over to us at iafd@iafd.com.