Today on Radio Sex: Outlaw Ladies (1981)

outlawladies“For Fearless Men and Ambitious Women!” 

Today on Radio Sex’ YouPorn on XM 102 around 2:40, I’ll be talking about Outlaw Ladies, Henri Pachard‘s vignette movie from 1981.

A tip o’ the hat to Mark Murray’s blog Adventures in Erotica, for inspiring today’s choice (and providing the poster I glommed for the article).

I haven’t seen Outlaw Ladies in forever, and it popped up on Mark’s blog, so I figured I’d revisit.  I’m glad I did.

We open with Marlene Willoughby getting herself beautiful, only to have R. Bolla throw a brief hump into her under the covers.  She’s unfulfilled, and an archetype for the movie — the rich and bored wives of the rich and straying husbands.

Bobby Astyr lets Juliet Anderson know he’s going to be working late, which is great for her so she can set up a tryst between herself and Ron Hudd, with an assist from Jody Maxwell.  Juliet explains to Jody that she wants to use the new vibrator today, so when she gives the word, Jody should apply it.

Ron gets out of the shower and Juliet directs the sex like a pro.  All dirty talk and telling him what she needs him to do (“Don’t pull my head; just hold your cock so you don’t shoot too soon…“) while she blows him, then she rides him and has Jody (clothed throughout) shove the vibrator up her bum which brings Juliet to orgasm and then she leaps off Ron and jerks him off onto her face.

We get an interlude which will set up later scenes – artist John Leslie is sketching a portrait of Samantha Fox and husband Al Greenbach (according to the credits), but she gets called away.  

Next, we see Marlene Willoughby as a high-fashion model (by day!) being photographed by Henri Pachard and Josh Andrews and then we cut to her in a bubble bath which seems to be how she transforms to high-class callgirl by night.  Bobby Astyr shows up at Marlene’s apartment (complete with African-American Maid,played by Jolet Kodet!) and she starts things off by eating his ass for a little before blowing him then riding him cowgirl.  She has panties sticking out of her netherbits which she flutters across Bobby’s cock before wrapping the panties around his cock as she kneels down to suck him to completion.  She then wipes him up using them and offering them as a souvenir.  He’s not sure what to do with them.

Veronica Hart busts into to R. Bolla‘s office exclaiming “Not guilty! That little Puerto Rican is now free! I got him free.” and they argue about the billing status of the case. He calls in Merle Michaels, his secretary, and reads her the riot act for not sending the bill to court with Veronica.  She apologizes and leaves.  Veronica is all fired up and wants to get back to work on a murder appeal for another client.  She eschews an offer of dinner with “Harry” to work late.  She calls Harry to tell him she’s working late and asks him to fix his own dinner… her desire to work on the murder appeal is quickly forgotten as she calls John Leslie to get together at the office.  Slight awkwardness as she’s chastised by the cleaning lady (Cami Graham) for working so hard, and then she gets caught leading John back to her office and by R. Bolla and Merle who are leaving together.

Veronica asks John to “put it up her backside” tonight.  He asks if she’s ever done it, she says no, so John explains that prep is necessary.  That she keeps calling it “her backside” is funny. She’s bent over her desk and he goes straight to the A.  Eventually, she relents and calls it “her ass” and as the phone rings – her husband asking where food is kept — John cums all over her ass.  She’s upset because she wanted him to cum inside, but she “tightened up and pushed [him] out.”  This scene is a little dark with Veronica’s face in a bit of shadow.

Also of note, a chorus singing “OUTLAW LA-DIES!” between each scene.

Merle and R. Bolla are at her apartment enjoying some jug wine when her mom calls.  They go back to making out post-call and we briefly cut to Samantha Fox driving down 42nd Street, eyeing Show World (in its former glory).  Back to Merle and R. he eats her out a bit, then she sucks him off and they fuck in missionary; but she gets very anxious that he not cum inside her, so she offers to suck him off and she jerks him off between her breasts and cleans him off.  What’s nice is, up until this point, the guys (except for John Leslie, and his was done for dramatic purposes) aren’t jacking themselves off.

We cut to a dive bar where Joey Silvera is drinking beers with Debbie Revenge and others (Geri Avant, Margo Dumont) while Jody Maxwell looks on.  Samantha Fox walks in as it caught off-guard by Jody’s presence. Joey leads the two socialites upstairs to a small apartment where the most prominent feature is the bed.  the two girls take turns servicing Joey and the dialog is pretty tawdry, with Samanatha and Jody asking Joey about fucking the “girl downstairs” and commenting that they can taste her pussy on his dick.  They fuck him and finally he cums in Jody’s mouth as Samantha jerks him off, but they cut around the ejaculation, and it’s pretty dark, so there’s some reliance on your imagination…

Finally, the movie spends its last 10 minutes wrapping up the Merle Michaels character.  Long story short, Merle wants something more from R. Bolla, who says nix since they work together and she should be able to go out and meet some young people.  It’s perhaps the nicest brush-off on record.  He returns home to Marlene, shares the good news about the not guilty verdict, but his wife is aware something is up.  Back at the office, he asks Veronica to fire Merle.  Back in Merle’s apartment, she’s moping around and the phone rings, and it’s John Leslie (not her mother!) and he wants to go out, but she asks him to come over instead.  He says he’ll pick up some food and wine and he’ll be by.  Back in R. Bolla’s house, the phone rings and Merle gives her the message “Instead of fucking my tits, he should fuck your tits… and if he can’t fuck your tits, then he should fuck HIMSELF!”

Roll credits.

The thing that lifts this movie is the chemistry the performers have.  They’re all pros and they can all act, and it goes a long way to keeping things believable.  The final line is delivered believably, when in lesser hands it could have been painful.  The establishing scenes are all sensible and give the following sex acts some context.

This is an easy movie to watch, the sex scenes aren’t soul-crushing marathons.

Best scenes - Veronica Hart / John Leslie because they’re go great at what they do. There’s not a lot of variety in the scene – she doesn’t even blow him – but they’ve got a chemistry.  The Merle Michaels / R. Bolla scene succeeds because she’s so breathlessly enthusiastic. The other scenes are all good too.  Just watch the movie.  It’s only 85 minutes long!

 

Today on Spice Radio: Love and Bullets (2003)

Today (Nov 14 at 2:40ish Eastern) on Spice Radio’s YouPorn (SiriusXM 103) I’ll be talking about Veronica Hart‘s 2003 movie, Love And Bullets, starring Ginger Lynn and featuring today’s guest, Rebecca Love.

The movie opens with Hershel Savage and Ginger Lynn running around a house shooting at each other.  Herschel has an AK-47 while Ginger is packing Dual 9mms.  There’s a blue tape line running down the length of the living room.

We hit the credit sequence and which flashes us back to their wedding, and then we begin to zoom thru scenes from a marriage – we seem them having their picture taken with a SOLD sign on their first house.  Ginger and Herschel have a very nice chemistry together, and that follows thru after he carries her over the threshold and into the first sex scene.

They take their time, nothing is really rushed.  He takes his time pulling per panties down, kissing her legs, her feet; spending some time eating her out in a way almost designed to get her off, not to just add a position to a shot list. They have sex in missionary and he cums on her box.  Just like married people. :-)

More scenes from the marriage – they go into business together – “Richard Roman Plastics Manufacturing”  becomes “K&R Plastics Manufacturing” and there are more pictures taken.  The photo sessions are a nice device and allow us to see them playing together.

Some more scenes of them making out various places, having more pictures taken, she blows him outdoors . . . but then the same old, same old sets in.  In another photo shoot, they change the name of the company to “K&R  Adult Novelties, Inc” — something that is clearly her idea and he doesn’t want any real part of it.

He’s banging her doggie style and her eyes roll.  It’s an uncomfortably funny scene.  More arguments. More sexual advances turned down . . .  and we’re only 25 minutes in!  Ginger looks thru old photo albums (see what they did there!) and tries to remember the good times.

A tense argument over dinner about business about her name not being on any business papers.  He tries to play it off as him being chivalrous – taking all the risk for shipping dildoes across state lines, and she asks for a divorce, and he doesn’t want one. SO she breaks a glass on the table and threatens that she hasn’t even gotten started yet.

Back at the office, Herschel is buttering up an unenhanced and super-cute Katie Morgan (God she plays — she is playing, right? — ditzy so fucking well) to be the K&R spokesperson.  She thanks him by blowing him . . . and as you could expect, Ginger walks in on them, but as you might not expect (since this is porn) SHE WALKS BACK OUT!

(I should take a moment to say how happy I am that Ginger’s character is named Karen.  Herschel has a great New York accent and every time he yells “Ka-ren!” I flash to Ray Liotta yelling at Lorraine Bracco in Goodfellas.)

Katie continues blowing him,then fucks him a bit and he shoots his wad across her chin.

Since turnabout is fairplay, Ginger, back at the house, fucks the poolboy (Kurt Lockwood) and Herschel catches them in the act.  Thjere’s a lot of good oral action from Ginger here, first as she’s in the pool and later as they’re 69’ing.  Ginger gets buggered and finally, Kurt cums all over her face.

(How times change. Last week’s review had zero facials in it as it was made at a time when they fell out of favor for health reasons.)

Next up, Katie Morgan, Ava Devine and Aria are shooting some porn, and Herschel drops by the set to deliver some dildoes and Veronica Hart brushes him off, telling him she couldn’t use his toys because they kind of stink and she’s using Doc Johnson instead.  They talk business and he leaves, letting the g/g/g play out with Veronica shouting some direction while the girls go to town on one another with Aria squirting along the way.

Herschel is on the phone with Ginger and suggests a three way, and she’s playing with her guns and agrees to a three way… but not with him.  Billy Glide is having his cock sucked by big-titted Rebecca Love as Ginger sits by sipping some wine.  Herschel walks in with flowers and champagne but and sees the writing on the wall, and the tape on the floor — no three-way for him as Ginger spitefully begins to make out with Rebecca and Billy’s cock.  Once Ginger gets to blowing Billy, it gives Rebecca time to free her huge jugs from their bra before she jumps back onto Billy’s dick, happily sharing with Ginger.  Ginger keeps poking Rebecca with her tongue playfully.  It’s pretty cute and kinda hot.  Finally, he fucks Rebecca (condom) as he eats out Ginger.  Biggest problem with the scene is there’s not really enough full body shots of Rebecca.  You’ve got these huge tits, and you’re not really showing them off to their best advantage . . . Billy moves on to fuck Ginger and Ginger goes to town on Rebecca’s dripping wet box.  Finally, he shoots his load over the girls faces as they make out.

Herschel gets some stuff at the hardware store and throws a party trying to raise investment money for the business.  He chats up Brooke Hunter while Ginger gets hammered on some spiked wine.  She makes a complete fool of herself as Brooke and Herschel retire to the house for some negotations; and by negotiations, I mean fucking.

He eats her out , then they 69 each other , he fucks her, vaginally and anally, and then cums on her pussy.  She’s a little too porno fake for my tastes in this scene, so its good its kind of short.

Lastly, an orgy breaks out poolside — hey, good to see Kelly Nichols! — and Kris Slater has Vicky Vette and Pason working on his dick and Sergio bangs Dana Vespoli.  Of note, Vicky takes Kris up the bum before he cums on her and Red’s faces; and Sergio blows it on Dana’s chin as well.

Herschel wakes Ginger up and tells her he has her embarrassing display on tape, and her actions destroyed any attempts at getting funding.  She threatens him for spiking her drink, pulls a gun out from under her pillow and squeezes off a few shots.  He runs out, she grabs another gun from her bureau and goes after him.  He runs to a closet, pulls out an AK-47 and returns fire, and we’re back at the Mexican Standoff from the beginning.

The cops are outside and Ginger walks out with Herschel as a hostage.  She’s going to get that divorce.

Cut to Tina Tyler looking utterly amazing as Ginger’s lawyer, and the plot wraps itself up in a way that is true to itself.

This was a pretty good movie with 7 pretty solid sex scenes (scene breakdown 7 and 8 happen at the same time, but the pairings don ‘t interact)

Veronica Hart doesn’t do anything super flashy with her camera, dramatic scenes are mostly static shots that are cut back and forth which isn’t all that visually interesting. The camera moves a little more during the sex, but not a ton.  It’s a long way from a handheld gonzo. I hoped there would be more full body shots, but instead, everything is shot with 2/3 coverage, which is way better than a movie full of gyno shots.  I’m a sucker for seeing a girl’s entire body…

Best scenes to check out on VOD – I’m a sucker for Katie Morgan so she gets a nod and the Ginger Lynn / Rebecca Love / Billy Glide tryst was fun while it lasted (it’s one of the shorter scenes in the movie).

On the Imperial scale, it’s a 2.85 out of 4.0 – “2.50 to 3.35 are all good to great rentals” – it’s a good movie.  Not great by any measure, but it has some aspirations and it’s professionally made all around.  It’s not quite sure if it’s a comedy or a drama, but it does nicely with both tones when it has to play them.   The early scenes are fun and easy going, and Ginger and Herschel have no problem playing falling in love, nor is falling out of love a problem.

Today on Spice Radio: Torn (1999)

Today on Spice Radio’s YouPorn (SiriusXM 103) I’ll be talking about Veronica Hart‘s 1999 movie, Torn, starring Ginger Lynn and featuring today’s guest, RayVeness.

I’m reviewing this off the VOD available at HotMovies and this has been hacked to ribbons. Apparently, there’s a lot of plot cut out as well, because Riley’s review of the original VHS mentions lots of stuff we don’t get here.  (Riley’s review is not all that flattering as he has a fetish for 18 year old girls, and Ginger is not that in this movie.)  The VOD at HotMovies runs 72 minutes and the original movie was twice that at 141 minutes… but we go with what we got, and judge it on those merits…

The movie opens with a g/g between Chloe and Mia Smiles.  Chloe is an animalistic performer, and that is really evident when it’s her turn to receive from Mia.  Mia gets a hand up in Chloe and Chloe yells and screams pretty good.  She’s an intense performer and really gets lost in her performances, with eyes rolling back in her head and her whole body wracked by spasms.  There’s very little kissing in this scene, but the girls are completely in tune with one another.

We then cut to our star, Ginger Lynn, in a warehouse, dressed in a skintight black leather catsuit and climbing a rope cargo net.  She purrs “Boys, boys, boys, let’s do this!” and Alec Metro, Chris Cannon and Michael J. Cox go to town.  The guys are one side of the net and Ginger’s on the other.  Their cocks are all poking thru the net and she starts things off with a blowbang, maintaining eye contact with each of the lucky fellas.  Soon enough, they’re all on the same side of the net, and Ginger is grunting and panting as she’s sucking off  Chris and Michael while Alec eats her out (and works a finger into her ass to boot). Michael J. is the first to fuck her (with a condom).  He stops for a second and Ginger sneers at him “Are you going to fuck me?  If you’re going to fuck me, fuck me!” and he dives back in with gusto as she blows the other two, fitting both of their cocks in her mouth. Dissolve to Alec banging her silly (with condom) as Chris and Michael J. work on her face more.  Then the fun begins as Ginger is air tight with Alec going up the butt (condom) while Chris is working her pussy and Michael J is getting blown.  The boys then cum all over her torso and neck.

WTF?  The VOD has cut out Stacy Valentine?!? She first has a scene with Devin Wolf and then another with RayVeness and Julian.  What is going on here?!?

Skipping over that tragedy, next up is Juli Ashton who has never looked hotter.  She’s a flight attendant and she asks a passenger, Beth Ann Rafael, (in a poorly dubbed scene) if she’d like to cop a feel.  She steals second and then leaves to approach Ginger (whom she calls “Miss Bijou”) and strap her in her seat with wrist restraints.  Sean Michaels, in the window seat, asks is this “is a masturbatory flight” and Juli assures him it is and thanks him for asking.  He then whips it out and Ginger leans over to blow him.  Juli comes back down the aisle and asks Miss Bijou if she’s like a butt plug.    Ginger excitedly agrees and Juli goes down on her, eventually working the buttplug all the way in.  Juli returns with some strapons and DP’s Ginger with a large black dong and the aforementioned buttplug.  Juli goes away again and when she comes back, Ginger returns the favors, eating her out in a standing position which shows off Juli’s curves and allows Ginger easy access to her ass.  Juli wraps things up and Sean cums on Ginger’s tits.

Another dissolve and Ginger is teasing John Decker, not quite sucking him, just licking and teasing.  Ginger looks pretty great in a tight red sweater and jeans.  She asks him if he has any condoms with him and she pulls it out just as we cut to Chloe, Mia and Devin Wolf doing shots. (We missed some story development here, VOD editors!) Back to the pooltable and John is eating Ginger out, much to her light, and then he starts fucking her (condom).  There’s an energetis doggie session after which he cums on her ass accompanied by some insane grunting sounds.

Then we have Kylie Ireland blowing  Devin Wolf while porn mascot Scotty Schwartz is asleep next to them in the bed. (No explanation why.  I assume that’s in the 70 minutes of lost footage…) Kylie slips on a condom and climbs on top of Devin.  She rides him for quite a while before he flips her over.  She acknowledges Soccty quite often, worrying that they’re going to wake him up.  This makes for some nice mischievousness  to the point where Devin reaches to lift Kylie’s leg and lifts Scotty’s instead promping a big smile from Kylie which is nice.  Eventually, he pulls out and cums on her belly and tits.  It’s a pretty long scene for just two positions.

Now we have Ginger and Chloe looking deeply into each others eyes.  As intense as Chloe was with Mia, it’s all gentle and cooing with Ginger.  A review tells us this is because she is Ginger’s biggest fan and this is a fantasy come true, so this is more lovemaking than fucking.  Ginger does some nipple biting, so it’s not all romance and candlight and eventually the girls share a double dong… an act that I suspect requires quite a bit of practice to get the physics right. The girls share an orgasm and end with a kiss.

Last up is Ginger Lynn with Devin Wolf.  It starts with him eating her out , then she blows him and then he jerks off onto his belly.  He apologies to “Claire” for cumming so soon.  This is a pretty short scene. But wait!  He gets his second wind and bangs her with reckless abandon (condom), eventually cumming “inside her” which means “we don’t see it.”

Then the credits roll, and we see all these people had character names, and people we never saw are listed (Sharon Mitchell, Veronica Hart, Tina Tyler, etc.)

 

 

Today on Spice Radio: American Desire (1981)

Today is Legends Day on Spice Radio’s YouPorn and Veronica Hart will be on the show with Christy and Ginger, so I’ll be on the show beforehand (around 2:30 Eastern, 11:30 Pacific) talking about American Desire, a 1981 film by Lasse Braun.

East Coast Represent!

This tale of a couple stuck in a rut was shot in New York City, Long Island and Connecticut and it’s fun to see brief shots of the city in all its grungy glory.  (A marquee advertised “Air Plane” and we see the Twin Towers in the background as cars drive out of the city.)

The movie opens with a flaccid Bob (R. Bolla) and Sheila (Veronica Hart) watching an old kung-fu movie on TV.  They’re both lamenting that their sex life has, er, petered out.  They still love each other, but their torrid love affair has made way for comfortable evenings watching TV and sharing snacks, and it’s not a place either are particularly happy with.  They pull off a couple in their mid-30s convincingly, even tho Veronica was around 25 when she shot this, it helps that she’s paired with an actor actually in his mid-30s, the 34 year old R. Bolla. He thinks out loud that “maybe one person isn’t enough… or maybe one person is too many.”

The next morning, Sheila leaves a note for Bob saying she’s running to see her Dad for some advice and then running errands in the City. He throws the note off their back porch into the reeds below.

Next up, we see Sheila’s Dad (Jack Teague) thinking in his backyard with a notebook on his knee as his young partner (Mai Lin) looks on from upstairs, asking if he’s getting any work done.  He mentions he could use some inspiration, so she comes down to give him some. What follows is a pretty realistically shot sex scene, where there’s a lot of kissing and foreplay going on.  He has a thumb up inside her as she plays with his cock.  When she moves down to blow him, Braun makes sure to keep Jack’s face in the shot, instead of just focusing on the penetration.

In the midst of their tryst, Sheila shows up at the sliding glass door overlooking the patio and seems put out that she can’t talk to her Dad, as opposed to being completely and utterly freaked out by the fact that she walked in on her Dad and his special lady friend going at it right as he’s sliding himself inside for the first time.  This reaction is a bit odd.

The scene continues with some brief missionary and then Jack pulls out as Mai jerks him off.  Jack’s hips keep bucking the whole time which is a nice touch and adds some sensuality to the scene.  Sheila just takes off, not bothering to talk to her Dad after all.

Sheila’s Day Out (nice red T-Bird convertible!) continues with a trip to her grandfather’s abandoned house. She finds the front door locked, but goes around the back and lets herself in, only to be startled by George (George Payne), an academic who is poking around the house looking to see “what original architecture is left” because he’s “completing  a dissertation on comparative American literature and [Sheila’s Dad? Granddad?] is the best in that field.”  (Doesn’t make any more sense in the movie either.)  Sheila offers to give George her Dad’s number.

Meanwhile, back at the house, Bob calls an escort service and is excited to see Mistress Candice show up in her street clothes.  He’s all hot to trot, moving in to feel her up and lift up her shirt to look at her rack and she pushes him off, asking where the bathroom is, so she can get ready. He shows her the door and waits.  She comes out in full leather dominatrix outfit with a cat o’nine tails and proceeds to tease the hell out of him.  It’s a fun scene that is pretty hot, but there’s no sex in it.  We do get to see her spectacular rack, but her nipples only see pleasure from her own tongue – Bob is denied.  She leaves him with blue balls.  The scene is played for laughs.  At one point, Bob goes in for a kiss and she backs off.  He complains that he just wants to give her a kiss, since she has such a pretty mouth — and we cut to a closeup and her dental work leaves, well, a little something to be desired.

Sheila drives home to find Bob sleeping in bed, but finds leather straps around the house. She’s pissed about his whores, and he’s pissed they’re not fucking each other. He mentions again “Maybe one person isn’t enough.” and he wants her permission to step out since he doesn’t want to lie to her.  (There’s a confused nobility there.)  She laments that men can just ring up and order sex like room service, where it takes women months to figure out who to seduce, to do the seducing, etc.  Bob says she just needs to fuck someone already, that she’s wasting valuable time.  It’s an interesting philosophical debate.

George shows up at Sheila’s Dad’s house to drop off some of his writing, and instead finds himself being seduced by Mai.  She makes her move and drops to her knees.  George asks a sensible question – what happens if your old man walks in?  And she assures him that Dad Welles would be fine with it.  Mai has long nails which she uses to great effect on George’s shaft.  He gives himself over to it and grabs her head and starts guiding her strokes.

Cut to Dad and Sheila in the T-Bird on their way home.

Mai and George have moved to the bedroom and George goes down on her, then she rides him cowgirl and in a really spectacular move, launches herself off his cock and right onto his face in one leap.

Sheila approaches the house and hears the ruckus and sees George nailing Mai on the bed.  Her Dad approaches and she apologizes to him, since she gave George the address, and Dad, in full on creeper, says it’s more than fine and asks is she would like to join them.  She shakes him off and runs away.

There’s a drum beat playing on the soundtrack in synch with George’s pounding and it crescendos with his cumming on her belly.  Sheila’s Dad appears in the doorway, all grins.  Mai makes the introductions, George is horrified at the social faux pas, but Sheila’s Dad will have none of it.  “Nonsense!  If you made Mai Lin happy, then I’m happy!” and then Mai kisses George.  Kinda weird, kinda funny.

Bob is driving down the country roads in his (NJ plated – represent!)  Jeep when he comes across hitchhiker Lysa Thatcher who is looking for a place to camp out.  As they drive, she lights up a joint and he asks for a toke “I’m not an old man, you know!” and they head to a friend’s place where he has a barn/farmohouse that she can camp out in.

Meanwhile, Sheila is getting dressed up in a fancy hat and red lipstick.

At the barn, Lysa infantilizes herself further by riding on a very small wooden rocking horse. We see a shot of her between his legs, Mrs. Robinson style, and she mentions how much she loves his boots, and she crawls over to lick them, her ass cheeks hanging out of her cut-offs.  (Take *that* Daisy Duke!)  She works her way up his body and stands as he kisses her and moves his hands all over her.  She brushes him off and starts setting up her bunk, bending at the waist and driving us a little wild.  She finds a cat o’nine-tails and chain collar and asks if Bob knows about those things.  She hads him the cat o’nine tails, and he can’t possibly whip her.  She opens her shirt revealing her breasts and she asks to be hit, like a Daddy hits his little girl.    He starts to hit her a little harder and there’s a cut, so I assume the modern scissors have robbed us of a little more play… but at her urging, he gets his fingers all up in her (“Fuck it!  Fuck it with your fingers!”) and he brings her to orgasm.

And finally Bob gets his blowjob… and what a BJ it is.  He’s slapping her with his cock until finally they’re fucking doggie style, with her tits pressed into the bedsprings which we see from underneath.  Bob says “See what happens when you hitchhike!?” and she jerks him off onto her tongue.  So far, best scene in the movie.

Sheila heads back to Grandfather Welles’ house and a stranger (Roy Stuart) appears outside.  Without her knowing, he follows her into the house and confronts her.  He asks “Do you like my house?” and she says she can’t stay, that her husband is waiting for her, and he shoves his gloved hand into her crotch.  She protests as he starts to remove her jacket.  He asks “Don’t you like sex?” and she’s getting more upset.  “Tell me how you want to stay!” and she keeps saying no, and he rips open her shirt and throws her on the floor.  He rips open her bra and she’s yelling “Don’t touch me!” and he yells “Quiet!”  and as he is playing with her pussy thru her underwear, she gives up a little.  (Not one of the best messages, I suppose…)

He works a fingered finger into her doggie style and she squirms away.  She’s trying to get her clothes back on and run away.  She threatens to scream, and he tells her to scream “Who can hear you?” and she runs upstairs, but he’s too fast for her.

He lays her down on the bedroom floor, removes his gloves, opens his pants and lifts her head to his cock, and she blows him as she rubs her pussy for a second before he’s fucking her missionary.

As with these non-consensual scenes, it’s tough to really use them to get yourself off.

Construction worker Dave Ruby comes in the house and notices her clothes on the dining room floor and heads off to investigate.  Sheila comes downstairs naked and runs into him.  He asks if she’s all right, and she says “Never better.” and then makes moves on him.  He resists, “I’m a married man!  I’ve got a wife and two kids!” and she starts to go down on him.  The sexual prey becomes the predator?  As she blows him, he just keeps repeating that he can’t believe this is happening.  She takes him down to the root (not a difficult task, it seems) and she rips his T-Shirt off him.  He awkwardly falls to the floor, with his face landing in her lap.  There’s a way too brief long shot of him with his face buried in her bush while her head is going up and down a mile a minute on his cock.   Then, Rapist Roy comes back in for seconds and shoves his dick in her mouth.  There’s some brief continuity issues with positions, and then Dave shoves himself up her ass.  She pulls him out and jerks him off all over her pussy and belly, then Roy cums all over her face.  She’s a mess when its over.

Bob returns home with Lysa  in tow and Sheila is waiting for him on the bed.  Her experience at her grandfather’s house as sexually awakened her, and she tells him she did it, as if she was the cat who ate the canary. She chalked it up to acting out. So, maybe it wasn’t a rape, but a fantasy fulfillment?  She recounts the tale of her rape with breathless excitement as Bob attacks her, repeating the things she is describing.  (We see that Lysa Thatcher is overhearing the story.)  Bob is dominating a little bit as he demands to be told what happened.  Lysa drops trou and starts to play with herself outside their bedroom as she listens to Bob and Sheila fuck.  “Is this how he did it?  I gotta know!  It’s driving me crazy!”

They switch to missionary as she tells the Ballad of the Construction Worker,  “he was rough, but I wanted it rough! … I did it, and I don’t want to stop.  I don’t want to stop!” and she rides him reverse cowgirl.  Bob says he’s going to cum and she says no, that she wants to taste it. So she bounces off him and onto the bed where she jerks him climax, licking up every drop.

As music starts to play, Sheila find Lysa on the chair and they begin to make out.  They move to the bedroom where they can scissor each other. The girls make eye contact which is very hot; then as they 69, Bob appears, and he and Sheila share Lysa’s tail end and Sheila blows him like crazy.  Bob fucks Sheila a bit more and then the girls share a blow job to its conclusion.

Fun fact: Roy Stuart also wrote the music for the movie.

Wow wow wow wow wow.

I had never seen this movie, but since Veronica Hart was going to be on the show, I thought I should review a movie that featured her in a leading role, and boy, was this it!

She doesn’t get naked until more than halfway through the movie, but once she does, she’s an unstoppable force of nature.  She devours R. Bolla and Lysa Thatcher at the end.

The movie’s title is odd, “American Desire” as I am having a hard time defining the desire — is it merely sexual, or is it the desire to settle down and share your life with someone else?  Bob and Sheila start the movie as a couple and end the movie as a couple, and ostensibly, the shenanigans that happen in the middle are supposed to strengthen their resolve as a couple, even if it doesn’t involve monogamy.

It’s left a bit ambiguous (or perhaps I am just projecting) if Rapist Roy (and the construction worker) was a pre-arrangement or not.  I think I have trouble if it was a real rape, since it falls back on the trope that “all girls want it” and that’s not the greatest message to send, I think… nor does it work that well dramatically.  If it was pre-arranged, then it gives Sheila some power and we don’t have to watch that scene between the fingers covering our eyes.

I don’t remember Lasse Braun as an filmmaker, tho I do remember it being a big deal when he came back with a three picture for Sin City.  I didn’t get the historical significance at the time, tho Wikipedia does an OK job of filling in the gaps, as does rotten.com

Fun fact – modern day director Axel Braun is Lasse’s son.